SILENCE

Silence, Martin Scorsese’s film from the novel by Shûsaku Endô, is about two young Jesuit priests, searching 17th century Japan in hopes of finding their mentor who, it is rumored, was tortured for his faith. Beneath this surface, it is about the question of finding meaning in life, and showing mercy on that path - to each other, to ourselves; the evolution of religion - as an oppressive power or a way of understanding the nature of life and the common good; and about the possibility of being transformed from within by love, even amid a swirl of noise and aggression that aims to terrorize all dissent. Scorsese was first made aware of the novel when promoting another film based on a story by a challenging spiritual seeker, The Last Temptation of Christ. That movie, released in 1988, was met with protest by folk whose experience of Christianity skewed toward repressing doubt, lest the recognition that someone else might think differently somehow pollute your own faith. But not all Christians felt that way - a helpful bishop, pronouncing The Last Temptation “Christologically correct" sent Scorsese a copy of Silence; for nearly thirty years now, he’s been trying to make it a movie. It’s an astonishing work, fully alive, a portrait of faith and love, willing to confront rage and terror, refusing anything other than the most disciplined path, taking seriously the question of just what life is. I imagine I will never forget it.

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Making the World Safer

Because shaming, scapegoating, and aggression have become go-to modes of cultural exchange, I think we should declare those who ask for help to be the heroes of our time. The very request for help should be an occasion for rejoicing, for another human being is setting themselves free from the death-dealing oppression that says we are alone and must fend for ourselves. This is the gift of innocence battling with fear of the authorities. For when external authorities seem to threaten, the trick would then be to see this as an opportunity for liberating inner work. 

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EVERYTHING IS NOT TERRIBLE

This past weekend I was at a brilliant wedding of beautiful friends, which on this occasion meant staying in a hotel. It seems like many hotel lobbies these days are like airport departure lounges - I counted five television screens, each playing a different "newsish" channel, the noise of the anchors competing with the Muzak coming from the reception desk. A fake gas shortage had been created by local panic buying, so the red strip across the bottom of one of the newsish channel screens read something like FEARFUL DRIVERS RUSH TO BUY GAS.

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GREENBELT MISCELLANY

I had a wonderful time at Greenbelt, which after 44 years is on its third or fourth or umpteenth renewal - an amazing space for creativity, friendship, activism, and most of all, permission to be creative, friendly, and activist. We did a little contemplative talk show with guests Bill McKibben, Broderick Greer, and Nadia Bolz-Weber, and some good folk in the community asked for information on music and other things that were heard in the space.

So, here's what I remember:

The music was...

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