the best film i've seen this year

sorry i've been away for a while - much has been going on.

i saw zodiac - a bleak and uncompromising mammoth film about murder and its investigation. david fincher almost seems to be making the anti-Se7en, a fine film which probably spent too much time exploring the seedy underbelly of gruesome violence. zodiac, on the other hand faces up to what murder really is - wiping the slate clean of another human being's personhood, and then breaking the slate. the fact that the film recreates the mood of the 70s in meticulous detail while paying gentle homage to 'all the president's men' and 'the conversation' makes it both a deeply pleasurable for cinephiles as well as a disturbing but profoundly moral film.

religious films

the church times has just published a list of what it calls the top fifty religious films. i was on the panel that decided the films - it takes a fairly narrow definition of what constitutes a 'religious' film - the paper wanted to include only films which make their mysticism explicit (perhaps a contradiction in terms).

it was, however, a fun exercise, and while i didn't endorse the inclusion of each film on the list, and would have added one or two more, i think it's a pretty interesting selection. check it out here and feel free to comment below about what you think should and should not be there.

lives of others and war on terror


saw 'the lives of others' the other night - new german film about the oppressive state regime and the actions of the state security apparatus - the stasi - in east germany before the wall was pulled down in 1989. a man listens to another man talking about his opinions. fairly innocuous, of course; until you realise that the man doing the listening is sitting a few floors above the other man's apartment, and that the sound of his subject's voice is carried through wires hidden behind light switches. and the man who is doing the talking is only being listened to because he has failed to do anything that might actually arouse suspicion in the first place. that, perversely, is what makes the stasi pay attention.

'the lives of others' is a tremendous drama about two human beings and their competing interpretations of what it means to be free. for one, the apparatus of state control is what liberates - if you don't have to think about your life, if you don't have to actually make any decisions, then, the argument goes, the potential exists for some kind of secular nirvana, where all desire is absent. for the other, the existence of 'me' is crushed by such authoritarianism and must eventually be resisted, even if it means the death of reputation, career, or even body.

this film ends with the line 'it's for me', and that statement, of course, can only actually be made by a free person, in a free society.

if the film exists in a clear space and time (and in spite of its over-statement of the very possibility of a stasi operative subverting his masters - on which see anna funder's article in the may issue of 'sight and sound'), it does make subtle comment on the world in which we now live. it is impossible to see surveillance of private lives, and the suggestion that patriotism depends on not criticising any particular government, without thinking (with a good deal of morose regret) of the utter lack of moral imagination applied by the authoritative bodies in the post-9/11 era.

another character makes the link clear, after the momentous events of 1989, for he now has the courage to confront one of his previous political masters with the words 'i can't believe people like you once ruled a country'.

p.s.: 'the lives of others' is a film for our times, and let's hope that hillary benn sees it before he gives his speech challenging 'war on terror' language later today.

the end of the beginning

it's now over two weeks since the press conference in which ian paisley and gerry adams announced their intentions to share power in northern ireland from the 8th may. i haven't written about it here until now for a number of reasons, chief among which was that the front page news crowded out space for substantial reflection. i wanted to wait a while before reacting.

so, for what it's worth, here are my thoughts.

there is no doubt that this is a political miracle and it has the potential to truly end the violent conflict in and about northern ireland.

it was a very long time coming, but it's a remarkable achievement.

at the same time, and at the risk of falling into the cycle of rhetorical negativity that too often characterises conversation about northern ireland, there's something i'd like to say. the people who are now taking credit for 'peace in our time' do not deserve it anywhere near as much as those both behind and in front of the scenes who either always spoke non-violently against injustice, or came round to the idea of power-sharing almost ten years ago when the good friday agreement was signed. neither the irish republican movement nor conservative loyalists can claim to have been purely benign or to have acted always in good faith over the past four decades.

on the one hand, for instance, the ira would have us believe that its struggle was so noble that, among other things, it never intended to target 'non-combatants' in spite of the fact that it regularly planted bombs in urban centres where members of the public were bound to be killed.

on the other, ian paisley appears not to have thought that he had a responsibility to de-escalate the conflict in his public rhetoric until after the agreement to share power had been done behind the scenes.

i am glad that no substantive body of opinion in northern ireland now supports the use of force to continue the centuries-old conflict over a tiny piece of land. but this has been in spite of contrary actions by the movements now taking the spoils of war over most of the period they have been in existence. those who are about to take high office (and with it, responsibility for this society) owe at least some gratitude, if not an apology, to those who have struggled for many years for peace and reconciliation.

at the same time, i thank god that one of the world's longest-running ethnic conflicts has become an object lesson in the value of political dialogue (and a little bit of commerce).

there is a lot more to say about this; including of course an acknowledgement that the pain of this conflict left no community untouched, including those represented by the political movements i'm criticising in this post. i trust however that soon we will see honour being accorded to the long-term peacemakers, and more respect to those who died and suffered than has been evident in the past fortnight.

let the sunshine in


saw 'sunshine' tonight - danny boyle/alex garland's new film that manages to be both a sci-fi adventure and a mystical piece about the search for god. it's a companion piece to 'the fountain', (which given the benefit of a few months' distance is certainly my favourite film of the past year), - visually it's a thing of beauty, and
there's much more to this story about the human race to re-activate the dying sun than the bits that sound like 'armageddon' or 'deep impact'. it's pretty clear that the sun in this film is more than just a great ball of fire.

would god abandon us? as we approach easter it's appropriate to remember that at least one Person thought so. or at least he felt that god had abandoned him.

but that story wasn't finished yet.

it still isn't.