Jesus loves Kathy Griffin anyway

After a year of scandals in which celebrities such as Mel Gibson, Don Imus, and Isaiah Washington have reminded us that fame does not cancel out bigotry, Kathy Griffin last week became the latest public figure to make such headlines with her Creative Arts Emmy acceptance speech. Referring to the tendency of some of her colleagues to invoke divine sanction for their success, she said, among other things, that "no one had less to do with this award than Jesus." Her remarks were censored on the telecast, and at least one Christian public figure has since implied on CNN that her words were more offensive than Imus' racist comments about the Rutgers basketball players, or Washington’s homophobic remarks about Grey’s Anatomy co-star T.R. Knight. The questionable logic that led to this assertion is that "85% of Americans believe in Jesus," while only a minority are black, and a much smaller number are gay. First of all, the suggestion that only the groups who are targeted in dehumanising rhetoric should be offended by them is absurd -- of course you don't have to be the victim of prejudice to be offended by it. It's understandable that people get offended when the names of religious figures are used in a derogatory fashion. It is also true to say that today it is more publicly acceptable to criticize Christianity than most other faiths. And sometimes it may be appropriate to protest this.

Continue reading this post on the Gods Politics blog

'Bourne' Again?

I wrote here a few weeks ago about the new Die Hard film, and especially how I felt it represented a disturbing advance in the portrayal of heroes as violent men whose main purpose is to uphold materialism. Among other things, Bruce Willis' character, John McClane, kicks a woman half to death, then drops an SUV on her head for good measure, and we're supposed to applaud. Surprisingly enough, the comments on this blog were mostly critical of what I said – which is of course perfectly fine, given the freedom of discourse that exists on this site. But it was ironic to find that the very point I was making – that we have become inured to violence in the real world by its portrayal on screen – appeared to be borne out by many of the comments.

Continue reading this post on the God's Politics blog by clicking here.

greenbelt films of the year: the final list

With just over a week to go, here's the final list of what I consider to be the best films of the past twelve months, and some worthy of discussion that may or may not be good films, to be discussed at my 'films of the year' seminar at Greenbelt - I know this will be a controversial list, so do please comment on these in advance and I'll try to respond to some of the comments at the seminar. It's on the Monday afternoon, so I hope you'll join us for some serious film discussion and at least one major surprise.

THE BEST FILMS OF THE YEAR (released between end August 2006 - end August 2007)

16: The Queen - fascinating experience of seeing someone we had previously only seen in parody – what does it mean for what Britain is as a nation?

15: An Inconvenient Truth – truly campaigning film – changed the direction of the wind

14: Dreamgirls - for pure entertainment value, the most exciting film of the year

13: Little Children – when will we all grow up?

12: Flags of our Fathers/Letters from Iwo Jima - Clint Eastwood, a former Republican city mayor produces two of the most profound anti-war statements ever committed to film

11: Jindabyne - a Raymond Carver short story transplanted from the US to Australia, which manages to squeeze in reflections on men and women's relationships, aboriginal rights, ancient religious culture, guilt and shame, self-identity and the fear of what lurks under the bed

10: Into Great Silence - a film that makes you feel like you're living in a monastery

9: The Departed – violence as a way of life; what should policing be about?

8: Stranger than Fiction - what would you do if you really believed you could write your own life?

7: The Lives of Others - a film that makes you feel you might be living in a prison, but that your perceived enemy may well be your best friend

6: Zodiac - an American thriller that takes murder seriously

5: Little Miss Sunshine – let families be real by reducing your expectations

4: Ten Canoes – storytelling and how we muddy the waters

3: Children of Men – one of the finest films of the year – a fearful nightmare of what might be happening to us; but the lengths to which people will go to preserve human life out-reach the killing: love is stronger than death

2: Once - a beguiling love story that takes the underclass seriously

1: The Fountain - a film that actually succeeds in conveying what it feels like to be in love

WORTHY OF CONVERSATION

Bobby/Tell No One/Babel/Borat/Casino Royale/Pan’s Labyrinth/Shortbus/Sicko/Perfume/Apocalypto/A Prairie Home Companion/Crank/This Film is Not Yet Rated/Rocky Balboa/Old Joy/Notes on a Scandal/Transformers/Knocked Up/Half Nelson/Inland Empire/Idiocracy/Hot Fuzz/This is England/Beyond Hatred/300/Amazing Grace/Shooter/Alpha Dog/Black Gold/Die Hard 4.0/The Bourne Ultimatum

once in a while

once in a while, a film comes along that makes you believe the hype about small being beautiful, non-professional actors being more 'authentic', and digital video being the way forward. it gives credibility to the festival that awarded it prizes, it is worthy of the ecstatic reviews you've seen in the press, and it manages to hit high notes that are so personally resonant to the viewer you can't help imagining they made it for you.

'once' did this for me yesterday. it's an irish film written and directed by john carney, about two musicians, played by the frames' glen hansard, and marketa irglova, meeting and making music together in dublin. the music arises naturally out of the story - he's busking, or they're recording together, or singing at a party. the story arc is pretty conventional - boy meets girl, girl gives boy 10 cent as a busking contribution, boy fixes girl's vacuum cleaner, and the rest ensues in patterns that we've seen before, but the way 'once' does it is so beguiling that you easily forget you're watching a fantasy. this film feels like real life. paralleling the love story is a subtle commentary on the dublin underclass - both the sector of the indigenous poor that is fatally addicted to heroin, and the 'new irish', immigrants living a dozen to a house, sharing space so cramped that their landlords should be ashamed. or at the very least, those of us who live in ireland and know landlords should be shaming them into behaving ethically.

but what lingers most in the mind about 'once' is the story of two lonely people interacting with each other's souls. i love the rough edges of this film - some of the lighting isn't great, it's obvious at times that we're watching inexperienced actors - because this is what makes it feel like it's really happening. i also like the fact that it portrays the guy as the romantic, while the girl is the practical one who thinks clearly. a subversion of love story cliches, to be sure; but i think it also tells a certain kind of truth that is usually underplayed in the kind of movies that disempower women by portraying them as only waiting for their prince charming to ride in and sweep them off their feet. 'once', however, is a film that manages to entertain, move, educate, challenge, and provide realistic hope in the midst of an often despairing urban environment. 'once' is my favourite film of the year so far.

greenbelt films of the year seminar

it's that time of year again - just a couple of weeks to go and greenbelt will be upon us. i'll be doing my now-traditional films of the year seminar, and as with last year, i'm providing a sneak preview here of the films i'll be discussing - but this time round, i'd like to hear your views, both of films on this list, and any that are omitted that you think i should be talking about. the only rule is that the film needs to have been released in the UK since the end of August last year - check www.imdb.com if you're not sure of release dates. also, it should be noted that not all the films on this list are necessarily 'good' - but they're here because i think they have some cultural significance.

here goes with the list:

Crank – watch a man die as quick as he can

This Film is Not Yet Rated – asks silly questions about sex in the movies; but acknowledges that sex and violence are treated differently by the UK and US authorities

The Wicker Man remake – a ridiculous film about the 'dangers' of women which destroys the religious thoughtfulness of the original

Little Miss Sunshine – let families be real by reducing your expectations

The Black Dahlia – money after old rope

The Queen - fascinating experience of seeing someone we had previously only seen in parody – what does it mean for what Britain is as a nation?

An Inconvenient Truth – truly campaigning film – changed the direction of the wind

Talladega Nights – not as funny as it thinks it is

Children of Men – one of the finest films of the year – a fearful nightmare of what might be happening to us; but the lengths to which people will go to preserve human life out-reach the killing: love is stronger than death

World Trade Center – a film about honouring the courage of those who died – and the horror of what happened in there – people of the left need to face this; we need to express at least as much anger about what happened on 9/11 as we do toward George W Bush's response

The Departed – violence as a way of life; what should policing be about?

Slavoj Zizek's Pervert’s Guide to Cinema – movies as the projection of our own desires

Last king of Scotland – great central performance, but I wish it had done more to explore where Amin's motivation came from

Marie Antoinette – same with her as with Amin

Little Children – when will we all grow up?

Bobby – not a great film, but inspirational message; the non-violence speech at the end is great

The Prestige – the power of ambition

Ten Canoes – storytelling and how we muddy the waters

Tell No One - great barnstorming thriller with the power of love at its centre

Babel – life is a coincidence – four short films, the Japanese one has the most empathy; I could have done without the others

Borat - not quite sure what to make of it yet

Into Great Silence

Casino Royale

Pan’s Labyrinth

Shortbus

Stranger than Fiction

Sicko

Flags of our Fathers

Letters from Iwo Jima

Night at the Museum

Perfume

Apocalypto

A Prairie Home Companion

Rocky Balboa

The Fountain

Old Joy

Dreamgirls

Notes on a Scandal

Lives of Others

Half Nelson

Good Shepherd

Good German

Inland Empire

Idiocracy

Beyond Hatred

300

Amazing Grace

Catch a Fire

Why we Fight

Sunshine

Shooter

Alpha Dog

Spiderman 3

Night of the Sunflowers

Jindabyne

Zodiac

Black Gold

Die Hard 4.0

Simpsons Movie

Transformers

Nomadak TX